Karen Dennison

Poet and artist

Books

Counting Rain

Karen Dennison’s first collection, Counting Rain, is a quiet and moving series of poems, in which the most recurrent theme is the loss of childhood, and the way it lodges in the memory. ‘Here’ she writes, ‘are the rooms of our childhood,/ the walls where we wrote our names.’ This is a skilful, perfectly disarming series of pieces, in which disquiet and tension lie just beneath the surface, held there carefully while the writer investigates moments of loss, love, discovery – the whole collection is like a stealthy and imaginative search for the way the past and present impact upon one another. Its timing and its imagery are exceptionally exact: this is a life that we recognise, in which the writer uses her own experience to make us think about our own. It’s wonderful – a genuine journey, trodden and re-trodden, one that’s a privilege to share. Bill Greenwell

Karen Dennison’s poems explore both the vastness of space and the intimacy of what passes between people in the cycle of birth, death, and what happens in between. She has a scientist’s concern for precision, but a poet’s ear for lyric. Her poems are direct and powerfully emotional in their desire to seek a pattern in chaos and to wake the ghosts of memory. An exciting debut. Tamar Yoseloff

Dennison’s poems bristle with disquiet and transformation. Her images leap off the page and look you right in the eye. Helen Ivory

The Memory of Water by Abegail Morley

TMOW matt 72With her restless and undaunted imagination, Abegail Morley has already given us three of the most original collections of poetry in recent years. Using the metaphor of water as the carrier of the whispers of history, The Memory of Water takes her ever deeper into her own distinctive world.

Inspired by a residency in Scotney Castle in Kent, famous for its Medieval moat, these poems bring vivid life to actual voices of the past – a Catholic priest hiding from Elizabeth’s agents, a smuggler disposing of his victim’s body, another murderer faking his own death by filling his coffin with stones – and counterpoints them with invented characters in a music as fluid as their watery medium.

Karen Dennison’s shape-shifting photographs are a superb accompaniment to these startling and compelling poems.
William Bedford

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